Lobby Boy
Spring 2016
Art Direction
A chest of drawers that represent Zero Mustafa’s character in Wes Anderson’s The Grand Budapest Hotel (2014). The visual elements and color palette and typography have been designed to reflect the aesthetic of the film. The objects and documents designed are directly connected to the Lobby Boy’s persona. Thus this collection of objects embodies a distilled narrative of the film as seen from the point of view of a singular character.
